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Lower Street was not the street in which Lucy shopped. It consisted mainly of little houses with screen doors and bright brass knockers, and lozenged windows which opened and shut in the French style, so that a small piece of the window could be opened at will. These houses were the dwelling-places of pilots, sailors, and fishermen belonging to the district. In the middle of the street was a Nonconformist Chapel with a burial ground spreading out in front of it till its outer confines were half-way upon the footpath; a wonderfully tended resting-place: its billows of grass marked in most cases the silent beds of seafarers; the decoration of flower or[Pg 36] memorial was largely nautical: the anchor, the Liliputian bows of a ship as a headpiece, and here and there the headpiece was a gun. Tombstones whose inscriptions endless discharges of wet and the fretting action of the wind had rendered almost illegible, leaned as though for support in their weariness against the walls of the adjacent houses; so that a few bricks or stones might separate a row of dead men from a little parlour full of cheerful company where the fire crackled briskly, where the oil flame shook in ripples of yellow radiance upon the walls and the ceiling, where the atmosphere was good with the perfume of rum punch, and where a manly voice in an interval of silence might be heard singing a nautical ballad to the accompaniment of a fiddle.,

This High Street was pleasantly furnished with shops: the butcher's, the owner of which shouted in talk to his customers as he dexterously chopped on his block; the baker's,[Pg 37] with its little bow-window choice with buns and cakes, and pretty shapes of bread; here too was the post-office, which was like a pedlar's tray for variety of contents.,

Anson squatted down beside Maurice. "No, by gosh! you're not so far wrong," he admitted, ruefully. "Somebody is layin' fer me, an' layin' fer me right. It's Bill. Say, Maurice, won't you try an' get him to let me off this time. If you will I won't ferget it in a hurry.",

"Maurice's sick," he shouted in the deaf woman's ear.

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He was a figure striking in its way as he made these bows, with his long, snow-white hair, his heavy white eyebrows, his long curling nose, the purely congenital satiric leer that characterised the formation of his thin lips; and his faded dress, which was a very good representation of his mind, aided the impression produced by his face.,

"Keep still!" cautioned Billy, "an' look yonder! See it?",

Lucy was not a young lady to sit idle. She could find something to do in every hour in the day. As Miss Acton did the housekeeping, Lucy was left to her own inventions, and being a girl of several[Pg 83] resources, she was very happy in pleasing herself. Miss Acton went to look after the affairs of the home, and to attend to the needs of a little congregation of poor who were ushered into the housekeeper's room one after another every morning, excepting Sunday, where they stated their wants and obtained such relief as Miss Acton's closets, stocked from her own purse, could supply; and if they did not get always exactly what they wished, they were sure of tender and consoling words, of sympathetic enquiry into their troubles, of a promise of some stockings for little James next week, of a roll of flannel for old Martha the day after to-morrow. Pleasant and instructive it might have been to witness this old lady in her hoop and flowered gown asking questions, handing purges, promising little gifts of apparel to the poor people, who ceaselessly sank in curtsies, or plucked at wisps of hair upon their foreheads whilst they scraped the ground behind with their feet.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.